About THE ARTIST:
Yisa Akinbolaji is an interdisciplinary artist and he has developed his own technique in art, therefore his own language. Following the successful exhibition of his work in New York, Yisa was in 2011 featured on the cover of Art Business News, New York. Yisa’s work has also been published in Redemptive Art in Society, by American author and poet, Dr. Calvin Seerveld. On September 18, 2020, Yisa's work, Stolen Identities was displayed at the Senate of Canada Building in honor of Canada's Black Artists. On September 30, 2020, Honourable Senator Patricial Bovey presented an account of Yisa's work and his biography at the Senate Chamber.
Yisa’s innovative technique has also inspired a flexible gum he calls Remoglue, which is a new medium for contemporary painting. The artist has conducted several workshops for artists in his technique. Yisa is a youth advocate who is active and celebrated in and beyond Winnipeg, Canada. He is the founder of the Creative Foundation, Winnipeg. The organization is established to enlist distinguished professionals to empower and motivate the youth of different cultural background and social groups for their academic success through mentoring programs in the arts, creative thinking, human rights, sciences and computer technology. Yisa believes that humanity's best future lies in the hands of today's children, hence they should be properly nurtured and encouraged to develop the spirit of service to humanity.
In his paintings, Akinbolaji explores and uncovers the possibilities of his creative expression. Combining various art expertise and endeavors; from metal sculpture creation, installations, oil and acrylic painting to printmaking he is able to express a full range of experiences in one piece. Akinbolaji’s Yoruba-African root experience and Western education dominate the eclecticism and diversity of his technique.
For more than three decades, the artist has engaged in extensive art practice and exhibiting in solo and group exhibitions in public galleries and museums in Canada, the United States and Nigeria. Yisa’s work is in private and public collections around the world including the collection of the University of North Dakota, the province of Manitoba, Great-West Life, Cargill Limited, and the private collections of valued individuals.
Before immigrating to Canada in 1997, Yisa was recognized with his inclusion in Nigerian Artists: A Who‘s Who and Bibliography (1993) compiled and edited by Bernice Kelly and Janet L. Stanley for the publication of the Smithsonian Institution Libraries, Washington. D.C. It was in 1993 that Yisa began to experiment in a new technique of painting after many years of creating his work in the style of the impressionists. Yisa further developed his technique while obtaining M.F.A in visual arts from the University of North Dakota. There, he incorporated his unique technique into his monotype printmaking. His technique involves the use of resist and relief, a process that best expresses his creative spirit and fuses the elements of Western and African art education and traditions.
Yisa also the founder of Creative Foundation Inc. was elected to the membership of Manitoba Society of Artists in 2000, becoming its President in 2001 at the 100th Anniversary and serving until 2003. On October 12, 2010, he was appointed to the board of the Manitoba Arts Council by the Manitoban Minister of Culture, Heritage and Tourism and with two re-appointments to serve till 2018.
Yisa has been an advisory member of CBC ARTSPOTS, Winnipeg on January 24, 2007; a guest speaker at the Canadian Association of Planning Students Annual Conference at the University of Manitoba, February 8, 2007, On November 20, 2018, Yisa was recognized as the Chief Guest by the Conflict and Resilience Research Institute, Canada at the occasion of "Participatory Peace Painting Icebreaker." Yisa is a regular guest presenter at Heartland International English School and has facilitated empowering workshops at various high schools and youth summer camps in Winnipeg.
Yisa has received the following awards: the McElroy-Edwards, Jackie Scholarship, USA of $45,000 (2008); the Winnipeg Arts Council Traveling Grant (2003); the Valerie Fostey Memorial Award, Canada (1998); and the National Youth Service Chairman's Honour, Cross River State, Nigeria (1987).
The Creative Foundation Inc, which Yisa established has inspired some youth who have gone on to become educators, surgeons, artists, technologists who are now involved in charity works globally. For more information about the Creative Foundation visit: www.creativefoundation.org
CREDITS: Photography: Taylor Summach, Gordon Gilbey, Gloria Esquejo, Velma Rust
Videography: Keanan Byggdin>
Yisa Akinbolaji presenting his speech at the MCIE celebration at the Legislative Building, Winnipeg, 2012
Yisa Akinbolaji (Center) at the MCIE celebration at the Legislative Building, Winnipeg, 2012.
YISA AKINBOLAJI MFA
P A I N T I N G - P R I N T M A K I N G - I N S TA L L A T I O N S
As a young artist, I was determined to ultimately create in a way that is unconventional thus unique to me.
In creating my painting, paint may be involved, I uncovered the possibilities of my creative expression, combining various art expertise and endeavors to display a full range of experiences to reinforce my visual narratives. I developed a medium that is not within the typical media of 2- and 3-dimensional art once I had understood the flexibilities of the existing media; from printmaking areas, methods of sculpture, using oil, acrylic, textile inks, conte, traditional photography media and much more.
With my current approach, I facilitate the notion of interplay to occur between the foreground and background forms, thereby engaging the viewers in the upside-down thinking process.
As a child, I was first fascinated at the dexterity at which a tiny insect could weave complex silk. While I was seven years old, I was motivated to develop the ability to improvise by using my mother's traditional eyebrow pencils (Tìro) and charcoal from her firewood for drawings to express myself indoor. That was during the Biafran/Nigerian civil war, when playing outdoor in the evening was forbidden for children to prevent injury from bomb explosion. That desire to improvise has endured to the benefit of my current creations as an artist.
Now, I do not just paint; I create using paint. My art technique emphasizes the character of my visual narratives, my journey, my experience and my imagination in a personal and unique way. I hope I might consequently work to eliminate the emphasis of paint in my painting in the future.
Artist & the fun of his work:
The freedom I experience through my freehand form creation and colour mixture is where the fun begins. Once I start creating, one element of my composition leads to another. My ultimate goal has been to establish a method of creating my painting or printmaking in a unique way, thereby providing an identity of recognition for my style.